Three steps, no editing
- Pick a reference photo. One to three clear, front-facing photos of your face.
- Attach and paste. Open Nano Banana Pro, attach your photo, paste a prompt.
- Set 4:5 and post. The Instagram size. Use 3:4 if 4:5 isn't offered.
Why they look real
- A real placeA specific location, never a vague setting.
- One loud propSomething physical doing the scroll-stopping.
- A named cameraLens and film stock called out, so it reads as a photo, not AI.
- Face lockA line that keeps your face identical. Never delete it.
The prompts
Every prompt copies in one click. Swap the location, wardrobe and prop to make your own.
A gritty handheld iPhone flash photo taken at night in the desert. A man from your uploaded portrait stands in front of a buggy, leaning his back against the front wheel. Hair is black, wet, curly, chin length. Strictly preserve from the attached reference photo, no distortions.
The buggy is partially lit by harsh direct on-camera flash, the rest falling into deep darkness. Sand texture is blown out in the foreground, hard shadows everywhere, uneven exposure, slight motion blur in his hands. Background dunes are barely visible, swallowed by the night. The scene feels accidental and raw, like someone fired a flash without warning. Wind-messy hair, dusty cargo pants, skin slightly overexposed by flash. No stylization, no cinematic lighting, just brutal flash realism. Critical constraint: the face must remain 100% identical to the uploaded portrait, exact facial structure, proportions, and skin texture. No beautification. No face changes. Ultra-realistic, unpolished, paparazzi energy.Chaotic flash-lit street portrait outside a liquor store, 2 AM, wide-angle. A young man tips a full gallon jug of milk over his own head, mid-pour, the milk leaving the jug as a thick twisting rope, breaking into a sheet across his forehead, sluicing off his eyebrows and jawline, and atomizing into a fine white mist haloed by the flash. Individual droplets frozen razor-sharp in midair, some blown out to pure white, a few catching the neon and going faintly pink. His eyes squeezed shut, mouth open in a shout, head tilted back.
He wears an oversized white tee gone translucent and clinging where soaked, the wet fabric grey-blue in the shadows and blinding white where the flash hits. In his other hand, a cheap plastic bowl of neon-colored cereal overflowing toward the lens, loops and marshmallow bits suspended mid-flight, one piece so close it's out of focus and enormous, another tumbling with a milk droplet still clinging to it. A stray splash speckles the front element of the lens.
Shot on a 20mm f/2.8 at f/11, direct on-camera flash, Fujifilm 400H pushed. Wide-angle distortion stretching his hands toward the camera and bending the storefront verticals at the edges. Harsh flash falloff into deep black beyond eight feet. Buzzing red and blue neon above, LIQUOR, COLD BEER, ATM, bleeding halation onto wet brick. Steel security grate, faded lotto decals, a taped-up handwritten sign. Wet sidewalk mirroring the neon into vertical smears, a growing white puddle spreading around his sneakers. Cardboard boxes and a dented dumpster in the deep background, barely lit.
Hyper-real detail: milk beading on skin, wet hair plastered flat with strands flicking outward mid-motion, water on his forearms, sweat and milk indistinguishable. Slight motion smear on his pouring wrist against the flash-frozen droplets. Chromatic aberration at the corners, real 400-speed grain, one orange light leak along the left edge, a smudge of milk fogging the lower-right of the frame. Amateur-candid, ungraded, imperfect framing. Mood: gleeful, unhinged, gloriously stupid. --ar 4:5 --style raw --s 250A gritty, handheld iPhone photo taken at night on an airport tarmac, shot with harsh direct on-camera flash. The framing is imperfect and slightly crooked, like a spontaneous snap. In the foreground, the man from your uploaded reference photos stands beside an orange Lamborghini Aventador on a flatbed trailer. He's captured in a confident, casual pose, unaware of the camera, as if it's a quick flash film photo taken in the spur of the moment as he's walking aside. The Lamborghini and the plane are a little further off in the distance but still visible in the shadows. Natural motion blur, his body turned in three-quarter view. He's wearing wide, baggy jeans and a simple black oversized t-shirt. His hair is black, wet, combed back, greasy, a few strands falling over his eyebrow. He wears black sunglasses. The face must be strictly preserved from your reference photos, without distortion. On his feet are bulky black sneakers. In the background, a huge passenger airplane looms in the darkness, its massive nose and engines barely visible beyond the flash falloff. The flash blows out highlights on him and the car, throws hard shadows onto the concrete, and leaves most of the plane swallowed by night. Visible grain, uneven exposure, raw smartphone perspective. No polish, just brutal flash realism. Critical constraint: the face must remain 100% identical to your uploaded reference photos, exact facial structure, proportions, and natural skin texture preserved. No beautification. No facial changes. Soft contrast.A gritty, handheld iPhone photo taken at night inside an open freight train filled with coal, shot with brutal direct on-camera flash. The flash completely dominates the frame, flattening depth and blowing out highlights while everything beyond the subject drops into deep black. Imperfect, slightly off-center framing, clearly spontaneous. In the foreground, the main character from the uploaded portrait is sitting directly on a pile of coal inside the train car, legs bent and spread slightly for balance, shoulders leaning forward. He wears oversized work pants and a loose hoodie, dusty and smudged with coal, protective goggles pushed up on his head, scarf loosely wrapped. His hair is black, wet, combed back, a few strands falling over his eyebrow. He's caught mid-laugh, smiling with eyes squeezed shut, face scrunched naturally, hands resting awkwardly near his knees. The flash floods his face aggressively, washing out skin tones while keeping facial structure intact. Coal texture is sharp and dirty under the flash, individual chunks reflecting light. Hard shadows fall behind him. Visible grain, uneven exposure, raw smartphone look. No ambient light, no mood. Do not change the facial structure from the reference photo. Match it exactly, a one-for-one copy of the face in the reference photos.A chaotic, flash-lit winter scene set inside a real, lived-in igloo in the Yakut Arctic, blending dark humor with raw, rebellious energy. Use the attached portraits as the exact facial reference and preserve the face with 100% accuracy, no changes to facial structure, proportions, expression, skin texture, age, or identity. The face must remain perfectly identical, ultra-sharp, and fully photorealistic. The main character sits slouched at a low improvised table inside the igloo, surrounded by thick fur blankets, carved ice walls, simple wooden objects, thermoses, and everyday household items adapted for extreme cold. The space feels genuinely inhabited, not stylized, practical, worn, and warm despite the frozen surroundings. Behind him, a white Porsche 911 GT3 RS has crashed through the ice wall of the igloo, shattering ice blocks and snow inward. Cracked ice, frozen debris, and powdery snow scatter across the floor. The car's metallic body and glowing red taillights violently contrast with the white-blue ice interior and subzero environment. He wears an oversized patterned knit sweater, black ripped jeans, heavy winter socks, and a red Santa hat tilted casually on his head. One leg rests on the table, elbow on knee, chin leaning into his hand. His expression is bored, unimpressed, and defiant, as if nothing about the chaos surprises him anymore. Outside the broken igloo walls, the endless frozen Yakut landscape stretches into darkness, with extreme cold visible in the air. Harsh on-camera flash freezes every detail, ice texture, fabric fibers, frost, and dust, creating gritty realism with slight grain and imperfect exposure. Ironic holiday mood, cultural contrast, cinematic mess, underground fashion editorial energy. Face must remain unchanged and 100% preserved. --ar 4:5 --direct flash --grainy film --dark festive chaos --rebellious holiday aestheticGritty, handheld iPhone photo taken at night, shot with harsh direct on-camera flash. In the foreground, the main character from the uploaded portrait stands closest to the camera, shoulders squared, body facing forward. He's raising his middle finger straight at the lens, arm slightly bent, gesture aggressive and unfiltered. His face shows a clear, annoyed, fed-up expression, lips tight, brows lowered, eyes locked on the camera. No posing, just raw reaction. In the background, a burning orange Lamborghini Huracan sits wrecked at the intersection, flames tearing through the front end, thick black smoke rising into the night. Street signs, a fire hydrant, scattered debris barely register beyond the flash. The flash blows out his skin and hands, throws hard shadows on the pavement, while the fire adds chaotic orange light behind him. Some subtle visible film grain, uneven exposure, raw smartphone perspective, feels confrontational, ugly, and real. Critical constraint: the face must remain 100% identical to the uploaded portrait, exact facial structure, proportions, and natural skin texture preserved. No beautification. No facial changes.A nighttime street scene in front of a liquor store, lit by harsh flash. The man in the reference image pours a full gallon of milk over his head, milk splashing down his face. He wears an oversized white t-shirt soaked with liquid. In his other hand, he holds an overflowing colorful cereal bowl, milk and cereal spilling dramatically toward the camera. Wide-angle perspective, chaotic motion freeze, gritty urban backdrop, neon signage above, high contrast, wet textures, surreal and rebellious street-editorial mood. --cinematic flash lighting --high detailA surreal cinematic scene of the person in your reference photo (keep his identical facial and body features), sitting calmly in a black tuxedo on the armrest of a beige couch that's burning in an open grassy field. Thick smoke rising, glowing orange flames consuming the seat cushions. Soft dusk sky with pastel lavender and peach tones, distant mountains at sunset in the background. Wide, quiet landscape, melancholic mood, gentle twilight light, grainy 35mm film texture, emotional stillness, poetic surrealism. --soft focus --film grain --pastel horizonA sun-drenched cinematic portrait of a cyclist taking a break on a remote desert highway. The man leans over his bike, lifting a dark water bottle to his cheek, sweat shining across his face and arms. He wears a black aerodynamic helmet with orange-tinted performance sunglasses perched on top, and a fitted black cycling jersey soaked from sweat. Behind him stretches a vast arid desert landscape, dry shrubs, pale sand, distant hazy mountains under a cloudless midday sky. Soft flash lighting creating sharp shadows and a vintage editorial vibe. Mood: confident, modern, fashion-forward minimalism with a hint of attitude. 35mm film texture, clean composition, warm tones. --ar 4:5 --editorial lighting --soft grain --fashion portraitA gritty handheld iPhone flash photo taken late at night in a McDonald's parking lot. The main character from the uploaded portrait is sitting on the rear edge of a parked Lamborghini Aventador, slightly turned toward the camera. He uses the car's trunk as an improvised table, fast-food bags, fries, cups, and wrappers spread on it, casually resting as if he just set everything down mid-bite. His posture is relaxed and unposed. He holds food and a drink casually, not looking staged, caught in the middle of the moment.
He's wearing an oversized black suit. His hair is black, wet, curly, and chin-length. It's crucial to preserve his appearance exactly as in the reference photo, without distortions. On his feet are oversized black sneakers.
The contrast between high fashion and junk food is intentional, ironic, and effortless. Behind him, the illuminated McDonald's sign glows against the dark sky. The background falls into deep shadow, parked cars and streetlights barely visible, swallowed by the night. The lighting is raw and imperfect: harsh direct on-camera flash, blown highlights on skin and fabric, hard shadows, uneven exposure, visible grain, slight motion blur. Skin texture remains real, no smoothing. It feels like a spontaneous paparazzi-style snapshot. The framing is slightly off and imperfect, not centered, not composed. No cinematic lighting, no polish.
Critical constraint: the face must remain 100% identical to the uploaded portrait, exact facial structure, proportions, expression fidelity, and skin texture. No beautification, no facial changes. An ultra-realistic everyday luxury moment. Messy, ironic, caught-on-camera energy.A raw nighttime iPhone flash photo taken at a roadside gas station. The main character is caught mid-movement in the foreground, smiling and slightly turned away from the camera. There's motion blur on the face and shoulders, imperfect focus, and spontaneous energy. He's wearing wide, voluminous jeans and a simple black oversized t-shirt. His hair is black, wet, combed back, with a few strands falling in front of his eyebrow. He has black glasses. It's critical to preserve the face exactly as in the reference photo, without distortions. On his feet are voluminous black sneakers.
Behind him, an orange Lamborghini Aventador is parked at the pump, its taillights glowing softly. Gas station columns, pumps, and asphalt are barely visible in the darkness. City lights streak in the background. A harsh on-camera flash blows out skin highlights, while deep shadows fall everywhere else. The image has uneven exposure, grain, and accidental framing, like a drunk friend snapped it without warning.
Critical constraint: the face must remain 100% identical to the reference portrait, exact facial structure, proportions, and skin texture. No beautification, no face reshaping. The image should be unpolished, intimate, and chaotic, a real night moment that wasn't meant to be perfect.Or grab them all at once
Desert buggy:
A gritty handheld iPhone flash photo taken at night in the desert. A man from your uploaded portrait stands in front of a buggy, leaning his back against the front wheel. Hair is black, wet, curly, chin length. Strictly preserve from the attached reference photo, no distortions.
The buggy is partially lit by harsh direct on-camera flash, the rest falling into deep darkness. Sand texture is blown out in the foreground, hard shadows everywhere, uneven exposure, slight motion blur in his hands. Background dunes are barely visible, swallowed by the night. The scene feels accidental and raw, like someone fired a flash without warning. Wind-messy hair, dusty cargo pants, skin slightly overexposed by flash. No stylization, no cinematic lighting, just brutal flash realism. Critical constraint: the face must remain 100% identical to the uploaded portrait, exact facial structure, proportions, and skin texture. No beautification. No face changes. Ultra-realistic, unpolished, paparazzi energy.
Gas station:
Chaotic flash-lit street portrait outside a liquor store, 2 AM, wide-angle. A young man tips a full gallon jug of milk over his own head, mid-pour, the milk leaving the jug as a thick twisting rope, breaking into a sheet across his forehead, sluicing off his eyebrows and jawline, and atomizing into a fine white mist haloed by the flash. Individual droplets frozen razor-sharp in midair, some blown out to pure white, a few catching the neon and going faintly pink. His eyes squeezed shut, mouth open in a shout, head tilted back.
He wears an oversized white tee gone translucent and clinging where soaked, the wet fabric grey-blue in the shadows and blinding white where the flash hits. In his other hand, a cheap plastic bowl of neon-colored cereal overflowing toward the lens, loops and marshmallow bits suspended mid-flight, one piece so close it's out of focus and enormous, another tumbling with a milk droplet still clinging to it. A stray splash speckles the front element of the lens.
Shot on a 20mm f/2.8 at f/11, direct on-camera flash, Fujifilm 400H pushed. Wide-angle distortion stretching his hands toward the camera and bending the storefront verticals at the edges. Harsh flash falloff into deep black beyond eight feet. Buzzing red and blue neon above, LIQUOR, COLD BEER, ATM, bleeding halation onto wet brick. Steel security grate, faded lotto decals, a taped-up handwritten sign. Wet sidewalk mirroring the neon into vertical smears, a growing white puddle spreading around his sneakers. Cardboard boxes and a dented dumpster in the deep background, barely lit.
Hyper-real detail: milk beading on skin, wet hair plastered flat with strands flicking outward mid-motion, water on his forearms, sweat and milk indistinguishable. Slight motion smear on his pouring wrist against the flash-frozen droplets. Chromatic aberration at the corners, real 400-speed grain, one orange light leak along the left edge, a smudge of milk fogging the lower-right of the frame. Amateur-candid, ungraded, imperfect framing. Mood: gleeful, unhinged, gloriously stupid. --ar 4:5 --style raw --s 250
Airport tarmac:
A gritty, handheld iPhone photo taken at night on an airport tarmac, shot with harsh direct on-camera flash. The framing is imperfect and slightly crooked, like a spontaneous snap. In the foreground, the man from your uploaded reference photos stands beside an orange Lamborghini Aventador on a flatbed trailer. He's captured in a confident, casual pose, unaware of the camera, as if it's a quick flash film photo taken in the spur of the moment as he's walking aside. The Lamborghini and the plane are a little further off in the distance but still visible in the shadows. Natural motion blur, his body turned in three-quarter view. He's wearing wide, baggy jeans and a simple black oversized t-shirt. His hair is black, wet, combed back, greasy, a few strands falling over his eyebrow. He wears black sunglasses. The face must be strictly preserved from your reference photos, without distortion. On his feet are bulky black sneakers. In the background, a huge passenger airplane looms in the darkness, its massive nose and engines barely visible beyond the flash falloff. The flash blows out highlights on him and the car, throws hard shadows onto the concrete, and leaves most of the plane swallowed by night. Visible grain, uneven exposure, raw smartphone perspective. No polish, just brutal flash realism. Critical constraint: the face must remain 100% identical to your uploaded reference photos, exact facial structure, proportions, and natural skin texture preserved. No beautification. No facial changes. Soft contrast.
Coal freight train:
A gritty, handheld iPhone photo taken at night inside an open freight train filled with coal, shot with brutal direct on-camera flash. The flash completely dominates the frame, flattening depth and blowing out highlights while everything beyond the subject drops into deep black. Imperfect, slightly off-center framing, clearly spontaneous. In the foreground, the main character from the uploaded portrait is sitting directly on a pile of coal inside the train car, legs bent and spread slightly for balance, shoulders leaning forward. He wears oversized work pants and a loose hoodie, dusty and smudged with coal, protective goggles pushed up on his head, scarf loosely wrapped. His hair is black, wet, combed back, a few strands falling over his eyebrow. He's caught mid-laugh, smiling with eyes squeezed shut, face scrunched naturally, hands resting awkwardly near his knees. The flash floods his face aggressively, washing out skin tones while keeping facial structure intact. Coal texture is sharp and dirty under the flash, individual chunks reflecting light. Hard shadows fall behind him. Visible grain, uneven exposure, raw smartphone look. No ambient light, no mood. Do not change the facial structure from the reference photo. Match it exactly, a one-for-one copy of the face in the reference photos.
Ice cave:
A chaotic, flash-lit winter scene set inside a real, lived-in igloo in the Yakut Arctic, blending dark humor with raw, rebellious energy. Use the attached portraits as the exact facial reference and preserve the face with 100% accuracy, no changes to facial structure, proportions, expression, skin texture, age, or identity. The face must remain perfectly identical, ultra-sharp, and fully photorealistic. The main character sits slouched at a low improvised table inside the igloo, surrounded by thick fur blankets, carved ice walls, simple wooden objects, thermoses, and everyday household items adapted for extreme cold. The space feels genuinely inhabited, not stylized, practical, worn, and warm despite the frozen surroundings. Behind him, a white Porsche 911 GT3 RS has crashed through the ice wall of the igloo, shattering ice blocks and snow inward. Cracked ice, frozen debris, and powdery snow scatter across the floor. The car's metallic body and glowing red taillights violently contrast with the white-blue ice interior and subzero environment. He wears an oversized patterned knit sweater, black ripped jeans, heavy winter socks, and a red Santa hat tilted casually on his head. One leg rests on the table, elbow on knee, chin leaning into his hand. His expression is bored, unimpressed, and defiant, as if nothing about the chaos surprises him anymore. Outside the broken igloo walls, the endless frozen Yakut landscape stretches into darkness, with extreme cold visible in the air. Harsh on-camera flash freezes every detail, ice texture, fabric fibers, frost, and dust, creating gritty realism with slight grain and imperfect exposure. Ironic holiday mood, cultural contrast, cinematic mess, underground fashion editorial energy. Face must remain unchanged and 100% preserved. --ar 4:5 --direct flash --grainy film --dark festive chaos --rebellious holiday aesthetic
Burning Lamborghini:
Gritty, handheld iPhone photo taken at night, shot with harsh direct on-camera flash. In the foreground, the main character from the uploaded portrait stands closest to the camera, shoulders squared, body facing forward. He's raising his middle finger straight at the lens, arm slightly bent, gesture aggressive and unfiltered. His face shows a clear, annoyed, fed-up expression, lips tight, brows lowered, eyes locked on the camera. No posing, just raw reaction. In the background, a burning orange Lamborghini Huracan sits wrecked at the intersection, flames tearing through the front end, thick black smoke rising into the night. Street signs, a fire hydrant, scattered debris barely register beyond the flash. The flash blows out his skin and hands, throws hard shadows on the pavement, while the fire adds chaotic orange light behind him. Some subtle visible film grain, uneven exposure, raw smartphone perspective, feels confrontational, ugly, and real. Critical constraint: the face must remain 100% identical to the uploaded portrait, exact facial structure, proportions, and natural skin texture preserved. No beautification. No facial changes.
Splashing milk:
A nighttime street scene in front of a liquor store, lit by harsh flash. The man in the reference image pours a full gallon of milk over his head, milk splashing down his face. He wears an oversized white t-shirt soaked with liquid. In his other hand, he holds an overflowing colorful cereal bowl, milk and cereal spilling dramatically toward the camera. Wide-angle perspective, chaotic motion freeze, gritty urban backdrop, neon signage above, high contrast, wet textures, surreal and rebellious street-editorial mood. --cinematic flash lighting --high detail
Quiet landscape:
A surreal cinematic scene of the person in your reference photo (keep his identical facial and body features), sitting calmly in a black tuxedo on the armrest of a beige couch that's burning in an open grassy field. Thick smoke rising, glowing orange flames consuming the seat cushions. Soft dusk sky with pastel lavender and peach tones, distant mountains at sunset in the background. Wide, quiet landscape, melancholic mood, gentle twilight light, grainy 35mm film texture, emotional stillness, poetic surrealism. --soft focus --film grain --pastel horizon
Desert highway:
A sun-drenched cinematic portrait of a cyclist taking a break on a remote desert highway. The man leans over his bike, lifting a dark water bottle to his cheek, sweat shining across his face and arms. He wears a black aerodynamic helmet with orange-tinted performance sunglasses perched on top, and a fitted black cycling jersey soaked from sweat. Behind him stretches a vast arid desert landscape, dry shrubs, pale sand, distant hazy mountains under a cloudless midday sky. Soft flash lighting creating sharp shadows and a vintage editorial vibe. Mood: confident, modern, fashion-forward minimalism with a hint of attitude. 35mm film texture, clean composition, warm tones. --ar 4:5 --editorial lighting --soft grain --fashion portrait
McDonald's parking lot:
A gritty handheld iPhone flash photo taken late at night in a McDonald's parking lot. The main character from the uploaded portrait is sitting on the rear edge of a parked Lamborghini Aventador, slightly turned toward the camera. He uses the car's trunk as an improvised table, fast-food bags, fries, cups, and wrappers spread on it, casually resting as if he just set everything down mid-bite. His posture is relaxed and unposed. He holds food and a drink casually, not looking staged, caught in the middle of the moment.
He's wearing an oversized black suit. His hair is black, wet, curly, and chin-length. It's crucial to preserve his appearance exactly as in the reference photo, without distortions. On his feet are oversized black sneakers.
The contrast between high fashion and junk food is intentional, ironic, and effortless. Behind him, the illuminated McDonald's sign glows against the dark sky. The background falls into deep shadow, parked cars and streetlights barely visible, swallowed by the night. The lighting is raw and imperfect: harsh direct on-camera flash, blown highlights on skin and fabric, hard shadows, uneven exposure, visible grain, slight motion blur. Skin texture remains real, no smoothing. It feels like a spontaneous paparazzi-style snapshot. The framing is slightly off and imperfect, not centered, not composed. No cinematic lighting, no polish.
Critical constraint: the face must remain 100% identical to the uploaded portrait, exact facial structure, proportions, expression fidelity, and skin texture. No beautification, no facial changes. An ultra-realistic everyday luxury moment. Messy, ironic, caught-on-camera energy.
Roadside gas station:
A raw nighttime iPhone flash photo taken at a roadside gas station. The main character is caught mid-movement in the foreground, smiling and slightly turned away from the camera. There's motion blur on the face and shoulders, imperfect focus, and spontaneous energy. He's wearing wide, voluminous jeans and a simple black oversized t-shirt. His hair is black, wet, combed back, with a few strands falling in front of his eyebrow. He has black glasses. It's critical to preserve the face exactly as in the reference photo, without distortions. On his feet are voluminous black sneakers.
Behind him, an orange Lamborghini Aventador is parked at the pump, its taillights glowing softly. Gas station columns, pumps, and asphalt are barely visible in the darkness. City lights streak in the background. A harsh on-camera flash blows out skin highlights, while deep shadows fall everywhere else. The image has uneven exposure, grain, and accidental framing, like a drunk friend snapped it without warning.
Critical constraint: the face must remain 100% identical to the reference portrait, exact facial structure, proportions, and skin texture. No beautification, no face reshaping. The image should be unpolished, intimate, and chaotic, a real night moment that wasn't meant to be perfect.Free AI Audit
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